When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works. To capture the images for his new Brazilian movie, “Riding High” (“Alucinados”), director Roberto ...

Over the past few years the folks at Moment have been busy building lenses and accessories to give mobile cameras a boost. They are now turning this expertise to DJI's Mavic Pro and Zoom drones, ...

Most people are familiar with typical cameras and lenses, and the 4:3 aspect ratio images and 16:9 video they produce. However, when you step into the world of filmmaking, things start to get more ...

Anamorphic lenses are very popular right now, so here's a guide to what all those compression ratios mean! It's not really clear why anamorphic lenses originally had a two-to-one compression ratio.

Anamorphic lenses are a great way to shoot in widescreen, but they’re prohibitively expensive on digital formats. Enthusiasts have experimented with using anamorphic adapter lenses from old projectors ...

You can talk and rave about 1920 by 1080 pixel 1080p HD DVD or BlueRay DVD all you like but if it ain't showing anywhere but YouTube, you'll watch it on highly re-compressed artifact-laden 320 by 240 ...

Motion pictures that were made between the late 1920s, the advent of sound on pictures, and the early 1950s, the advent of widescreen pictures, share two characteristics: Horizontal vs. vertical ...

While it is true that iMovie does not recognize the anamorphic video clips (with a 16:9 aspect ratio) imported from the video camera, the 16:9 clips imported into iMovie are not "deanamorphosed" at ...

Standards everywhere! We can't live with them, and we can't live without them. In the film world this lead to the creation of a compromise aspect ratio, Univisium, which is now gaining ground in ...